Resources
ALTHUSSER, LOUIS
Althusser, Louis. Ideology And Ideological State Apparatuses. N.p.: n.p., 2008. Print.
ARNHEIM, RUDOLF
Arnheim, Rudolf. Art and Visual Perception: A Psychology of The Creative Eye. Berkeley: U of California Press, 2011. Print.
BALAZS, BELA
Balazs, Bela. BELA BALAZS: EARLY FILM THEORY. "Visible Man and The Spirit of Film".<https://rosswolfe.files.wordpress.com/2015/03/becc81la-balacc81zs-early-film-theory-visible-man-1924-and-the-spirit-of-film-1930.pdf>.
BAZIN, ANDRE
Bazin, Andre "The Myth of Total Cinema," in Andre Bazin, Hugh Gray (trans), What Is Cinema?, Vol. 1, London: University of California Press Ltd, (1967).
Paletz, Gabriel M. "Bazin at Work: Major Reviews from the Forties and Fifties André Bazin Alain Piette Bert Cardullo." Film Quarterly 53.1 (1999): 45-46. Web.
BRANIGAN, EDWARD
Branigan, Edward. “Narrative Comprehension and Film.” Googlebooks. Routledge. 1992. 3, 100-102. Web. <http://www.routledge.com/books/details/9780415075121/>.
Branigan, Edward. Projecting a Camera: Language-Games in Film Theory. London and New York: Routledge, 2006.
CAVELL, STANLEY
Cavell, Stanley, and William Rothman. Cavell on Film. Albany: State U of New York Press, 2005. Print.
COMOLLI, JEAN-LUC, and NARBONI, JEAN
Comolli, Jean-Luc, and Jean Narboni. “The Politics of Representation.” Ed. Nick Brown. Cahiers Du Cinema 3.1969-1972. Web. <http://monoskop.org/images/0/0b/Cahiers_du_Cinema_Vol_3_1969-1972_The_Politics_of_Representation.pdf>.
Comolli, J.-L., and P. Narboni. "Cinema/ldeology/Criticism." Screen 12.1 (1971): 27-38. Web.
DE SAUSSEUR, FREDERICK
Saussure, Ferdinand De, and Roy Harris. Course in General Linguistics. London: Bloomsbury Academic, An imprint of Bloomsbury Publishing Plc., 2013. Print.
DIAWARA, MANTHIA
Diawara, Manthia. Black Cinema. Athens, OH: Ohio U School of Film, 1991. Print.
Diawara, Manthia, and Mia Mask. Black American Cinema Reconsidered. London: Routledge, 2009. Print.
EISENSTEIN, SERGEI
Eisenstein, Sergei, and Jay Leyda. Film Form: Essays in Film Theory and The Film Sense. Harcourt Brace Jovanovich; Revised edition (March 19, 1969). Print.
Eisenstein, Sergei and Leyda, Jay. The Film Sense, Harcourt Brace Jovanovich; Revised edition (March 19, 1969). Print.
hooks, bell
hooks, bell. Reel to Real: Race, Sex and Class at the Movies. Routledge, 2015.
HUTCHEON, LINDA
Hutcheon, Linda. "Defining Parody." A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York: Methuen, 1989. Print.
Hutcheon, Linda. "Double-Coded Politics." The Politics of Postmodernism. Revised ed. London: Routledge, 1989. Print.
JAFA, ARTHUR
Jafa, Arthur. “The Notion of Treatment: Black Aesthetics and Film, based on an interview with Peter Hassli and additional discussions with Pearl Bowser,” in Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era, ed. Pearl Bowser et al. (Bloomington: Indiana University Press, 2001).
Jafa Arthur and Charles, Hans L. "On Advancing a Black Aesthetic." Reelblack. YouTube. YouTube, 26 Oct. 2015. Web. <https://www.youtube.com/watch?v=R7Qmy6wtEOo>.
LACAN, JACQUES
Bianchi, Pietro. Jacques Lacan and Cinema, Imaginary Gaze, Formalisation. London: Karnac, 2017. Print.
LOTT, TOMMY L.
Lott, Tommy L. “A No-Theory Theory of Contemporary Black Cinema.” JSTOR. African American Review (St. Louis University), 1991. Web. <http://www.jstor.org/stable/3041684>.
Lott, Tommy L. “Aesthetics and Politics in Contemporary Black Film Theory.” Eds. Richard Allen & Murray Smith. Film Theory and Philosophy. Oxford University Press, 1997. <http://academic.uprm.edu/mleonard/theorydocs/readings/TLott.pdf>.
Lott, Tommy L. The Invention of Race: Black Culture and the Politics of Representation. Malden: Blackwell, 1999. Print.
METZ, CHRISTIAN
Metz, Christian. "Project MUSE - The Imaginary Signifier: Psychoanalysis and the Cinema (review)." Project MUSE - The Imaginary Signifier: Psychoanalysis and the Cinema (review). Accessed May 20, 2016. http://muse.jhu.edu/journals/minnesota_review/summary/v019/19.polan01.html.
WILLIAMS, LINDA
Williams, Linda. "Film Bodies: Gender, Genre, and Excess." Author(s): Source: Film Quarterly, Vol. 44, No. 4 (Summer, 1991), pp. 2-13 Published by: University of California Press. <http://www.jstor.org/stable/1212758>.
Williams, Linda. Screening Sex. Durham: Duke University Press, 2008. Print.
Williams, Linda. Hard Core: Power, Pleasure, and the "frenzy of the Visible. Berkeley, Calif. [u.a.: University of California Press, 2010. Print.
WOOD, ROBIN